| To order your copy of "Made
in Vermont" you need only to fill out the form below, cut and paste
it and send it to the address below the form.
Your
Name:__________________________
Address:________________________
________________________________
E-mail: _________________________a
check or money order for only $20
(Includes $5.00 shipping & handling) made payable to
Stannard Associates, Inc.
Stannard Associates, Inc.
117 Sleepy Hollow Dr.
Manchester, Ctr. Vt 05255
Attn: NEW CD
______YES, I would like to have my e-mail added to
Bob's "GIG GROUP" list so that I'll know when and where he's playing.
(Don't worry....your e-mail will never be shared with anyone, ever) |
"Made in Vermont"
reviewed by Vermont Public Radio host
Robert Resnick:
CHRIS KLEEMAN & BOB STANNARD
"MADE IN
VERMONT:LIVE PERFORMANCES FROM OBSCURE BUT POPULAR PLACES"
(Self-released CD Howling Frog Records #002)
T he homes of
Chester, Vermont, bluesboy Chris Kleeman and his musical compadre Bob
Stannard, from Manchester Center, are separated by some of the tallest
mountains in Vermont, but it doesn't seem to have gotten in their way,
physically or musically. On their first joint album, Made in Vermont: Live
Performances From Obscure But Popular Places, the two churn, choogle and
sweat through an encyclopedia of blues styles. On this CD, 12 classics by
Willie Dixon, Jimmy Reed, Robert Johnson, Chester Burnette and more are
given loving treatment by two players with the knowledge and skill to make
them work.
Kleeman can wail on an electric guitar, and really
shines when he slides on his beat-up old National Steel. Stannard, who
sounds like he came out of the womb armed with a blues harp, recalls the
best of the Chicago blues harmonica players, melding passion with rhythmic
riffs from the styles of Sonny Boy Williamson I and II, Sonny Terry and
others. Throughout Made in Vermont, Kleeman and Stannard are backed
by a number of pickup drummers and bassists. There are no lapses and
the whole baby works.
The experience these guys bring to their music has
been obtained from lots of road time. Kleeman and Stannard are both in their
fifties, have been playing bars for decades, and are clearly not ready for
AARP bus tours. From the energy and pump of the music, it sounds as if some
of the "obscure places" mentioned in the title might be smoky roadhouses, so
it's surprising to discover that most of the album was recorded live in such
relatively sedate venues as the Riley Rink in Manchester and the Old
Firehouse in Tinmouth. A few tracks were laid down at Southview Arts, a fine
little studio on a hill above Middletown Springs, and at Kleeman's home
studio. It's clear that Kleeman, who has played with many musical partners
over the years, and Stannard have found that rare thing: a musical
complement that really fits.
ROBERT RESNIK
© Seven Days Newspaper, 2004
|